Posts tagged inspiration

Posted 2 days ago

My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges’ audio track on the ‘Bad Day at Black Rock’ laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it. –Paul Thomas Anderson

My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges’ audio track on the ‘Bad Day at Black Rock’ laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it. Paul Thomas Anderson

(Source: pickledelephant)

Posted 1 week ago

It’s surprising how hard we’ll work when the work is done just for ourselves. And with all due respect to John Stuart Mill, maybe utilitarianism is overrated. If I’ve learned one thing from being a cartoonist, it’s how important playing is to creativity and happiness. My job is essentially to come up with 365 ideas a year. If you ever want to find out just how uninteresting you really are, get a job where the quality and frequency of your thoughts determine your livelihood. I’ve found that the only way I can keep writing every day, year after year, is to let my mind wander into new territories. To do that, I’ve had to cultivate a kind of mental playfulness.

We’re not really taught how to recreate constructively. We need to do more than find diversions; we need to restore and expand ourselves. Our idea of relaxing is all too often to plop down in front of the television set and let its pandering idiocy liquefy our brains. Shutting off the thought process is not rejuvenating; the mind is like a car battery — it recharges by running. You may be surprised to find how quickly daily routine and the demands of ‘just getting by’ absorb your waking hours. You may be surprised to find how quickly you start to see your politics and religion become matters of habit rather than thought and inquiry. You may be surprised to find how quickly you start to see your life in terms of other people’s expectations rather than issues. You may be surprised to find out how quickly reading a good book sounds like a luxury.

At school, new ideas are thrust at you every day. Out in the world, you’ll have to find the inner motivation to search for new ideas on your own. With any luck at all, you’ll never need to take an idea and squeeze a punchline out of it, but as bright, creative people, you’ll be called upon to generate ideas and solutions all your lives. Letting your mind play is the best way to solve problems. For me, it’s been liberating to put myself in the mind of a fictitious six year-old each day, and rediscover my own curiosity. I’ve been amazed at how one idea leads to others if I allow my mind to play and wander. I know a lot about dinosaurs now, and the information has helped me out of quite a few deadlines. A playful mind is inquisitive, and learning is fun. If you indulge your natural curiosity and retain a sense of fun in new experience, I think you’ll find it functions as a sort of shock absorber for the bumpy road ahead.

Posted 2 weeks ago

The Path of Now and Forever: mammon-machine: I was talking about a dating sim idea with Porpentine...

mammon-machine:

I was talking about a dating sim idea with Porpentine a few days ago, and she said it reminded her a little of the friend zone. And that got me thinking about what it would be like for game whose protagonist the player couldn’t trust.

The video game avatar is normally this perfect instrument of desire that does exactly what we tell it to. Few things are more frustrating in a game than an avatar that doesn’t do what we tell it to. That frustration is a part of life though; our bodies don’t always do what we tell them to.

It reminded me too that I can’t always think the way I want to either. I am pretty good at reading people, I like to think, but there was a time that I would misread nearly every interaction directed at me. I used to find it difficult to tell if someone might like me. I might think someone hated me who was really just a sort of nervous and quiet person who didn’t know how to talk with me. I wouldn’t believe anyone could be interested in me because I didn’t think of myself as interesting or likable.

Punchline, of course, is I spent (still spend) all my time reminding my friend of how great they are, as if I was the only one genuinely understood myself. I can tell you you’re beautiful, breathtakingly so, I can tell you about how you’re so genuine it makes me shake, or I can how you make us laugh so hard we think we’re gonna die—all from the bottom of my heart, but this isn’t a gift that I can give to myself. It’s so frustrating though, enough to get me a little mad. How can my friends just not even see the honest truth?

In video games you’ve got all this fucking UI with bars and orbs and crap all over the place telling you this objective information about yourself. It’s not bad, I’ve got something like that going on in my head too. The difference is my bars and meters are all full of shit. They’re lies and I’m the worst person at seeing myself.

So what I’d like is a game in which you’ve got all those meters and shit but they aren’t accurate. Maybe you have to learn the parts about yourself you can trust and the parts you can’t. Maybe you need your friends to teach you that.

Anyways look forward to my upcoming video about this called “I Hope Senpai Notices Me”

Posted 2 weeks ago
It took me back to something [Karen O.] said in Brooklyn, about how she never knew what to say when fans told her the Yeah Yeah Yeahs helped them endure tough times. “You were asking, ‘If it’s so hard, why do you keep doing it,’ ” she began. “For one thing, this band has gotten us all through a lot. Me specifically, the death of one of my best friends around the time we started.” Her chin quivered, and her eyes welled up with tears. This was not a performance. “I was 22. I was a baby. I was totally traumatized and devastated and lost, and if I didn’t have the Yeah Yeah Yeahs taking me around the world… . I’m no different than some of these fans. Next time a fan says that to me, I’m going to say, ‘Me, too, dude.’
Posted 3 weeks ago
Those who do not want to imitate anything, produce nothing.
Salvador Dali (via anothergregorsamsa)

(Source: coinlockerspawn)

Posted 1 month ago

zrnkokavy:

“It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world’s coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today’s world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.” Ghost Dog

Posted 1 month ago

smalllindsay:

swegener:

joshtierney:

One of my favourite pieces by Roger Ebert is his “Great Movies” appreciation of Spirited Away (read it in full here). At the end of the piece he details an encounter he had with Hayao Miyazaki himself, where Miyazaki defines one of the key differences between the work of Studio Ghibli and mainstream American animation. I can see his words relating to comics as well, and these words are well-worth reading for any creative and parent.

Here is the excerpt from Ebert’s piece:

I was so fortunate to meet Miyazaki at the 2002 Toronto film festival. I told him I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or sigh, or gaze at a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ‘ma.’ Emptiness. It’s there intentionally.” He clapped his hands three or four times. “The time in between my clapping is ‘ma.’ If you just have non-stop action with no breathing space at all, it’s just busyness.”

I think that helps explain why Miyazaki’s films are more absorbing than the frantic action in a lot of American animation. “The people who make the movies are scared of silence” he said, “so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions—that you never let go of those.

“What my friends and I have been trying to do since the 1970’s is to try and quiet things down a little bit; don’t just bombard them with noise and distraction. And to follow the path of children’s emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don’t have to have violence and you don’t have to have action. They’ll follow you. This is our principle.”

He said he has been amused to see a lot of animation in live-action superhero movies. “In a way, live action is becoming part of that whole soup called animation. Animation has become a word that encompasses so much, and my animation is just a little tiny dot over in the corner. It’s plenty for me.”

It’s plenty for me, too.

Yes

Yes.

Posted 1 month ago

danmcdaid:

burekevan:

Dr. Neil deGrasse Tyson on the defunding of NASA.

This man is clearly mad and I think I love him.

Posted 1 month ago

We Are Not A Community, We Are A Stream: Social Media & Whim Kids

sloaneshutup:

(Note: This stream of thoughts was initially posted on twitter and seemed to engage many people, which you’ll see is a point of relevance after you read this.)

I recently heard comments in podcasts and have seen people talking about how Tumblr/Twitter/social media is such useless a time sink and they don’t understand or can’t see the potential for it in relation to creators (comic makers, illustrators, craft makers, etc). This got me thinking more about how social media users like myself, “Generation Y” kids, consume and process information.

I think my earliest recollection of computer use was playing a point-and-click adventure game on a Macintosh Classic when I was maybe 5 or 6 years old. When I was 11 years old (2001) I started using the computer more regularly and started going on forums and playing online games. At 13 I made a Deviantart account and started posting (oekaki) artwork and entered a world of digital friend-making, chatting and eventually networking. The world was connected but it was slow.

Read More

Posted 1 month ago
Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.
Cormac McCarthy, last paragraph of The Road (via heteroglossia)
Posted 1 month ago

“So I can say with full confidence to those who dream of becoming a mangaka: even if you suck, it’s okay!♥ Just try your hardest and please don’t give up! Even if it’s bent, smudged, done in a felt pen, done in ten seconds per panel, or done with no rough draft, just be sure to make those deadlines. Anything is okay. Even if it sucks, it might become an anime someday!”Naoko Takeuchi

(original: x|x - ©starrynight||mangareader.net)

Posted 1 month ago
When you’re on set, it’s not about art. It’s about moving this army over that mountain before the sun goes down.
John Carpenter (via cgcampillo)
Posted 2 months ago
They stood on the far shore of the river and called to him. Tattered gods slouching in their rags across the waste. Trekking the dried floor of a mineral sea where it lay cracked and broken like a fallen plate. Paths of feral fire in the coagullated sands. The figures faded in the distance. He woke and lay in the dark.

- Cormac McCarthy, The Road

(via)

(via zebtronarama)

Posted 2 months ago

Come on, y’all…if you write a story and set it in a place like Broaddus’ Indianapolis, Chicago, Atlanta, London, or Las Vegas, basic demographic research will indicate the presence of people of color. To read and enjoy Urban Fantasy, I am expected to just accept that Black people don’t exist? You get the side-eye for that one.

Whether or not you like Urban Fantasy, the fact of the matter is that this subgenre of Fantasy has had an immense and global impact on people through literature, television and film.

It is because of this impact that we cannot ignore the messages that Urban Fantasy brings. Each time an author of this subgenre decides to tell a story, instead of working so hard to erase people of color out of existence, they should work just as hard to erase the problems that plague our society. And fanboys…do not say that writers should not have to be political; that they should be free to write merely to entertain. Every statement we make is political. Every sentence we write is potentially life-changing for someone. Such is the power of the word.

You cannot truly change culture without literature. We can pass a thousand laws saying that racism and sexism are wrong. We can make a thousand impassioned speeches to rouse the marginalized masses; but if everyone returns home after those speeches and sits down to read the latest installment of Twilight, or watch the next episode of The Vampire Diaries and their fictional worlds in which those same marginalized masses barely even exist – then how much change can truly be affected?

It is within the pages of books and under the light of the TV screen where we will reach people and change the world for the better…or worse.

Over and over again, we are told that our stories aren’t worth being told. We do not get to be the heroes. We are never “the one destined to come since man was young upon the earth”. If we are lucky, we get to be the “magical negro”; the “noble savage”; the sidekick; the Black person who doesn’t die in the first ten minutes of the film.

This is damaging to the psyches of people of color. And a devastating blow to the self-esteem of our babies.

So, don’t tell me writers just write to merely entertain, when entertainment has such a powerful, deep and lasting impression on the minds of us all.

Balogun, “It’s Still Dark At Twilight: Scrubbing Off The Whitewash Of Urban Fantasy,” Chronicles of Harriet 1/21/13 (via secretarysbreakroom)

I’m having this exact problem with The Magicians. Damn book takes place in New York and in 220 pages there has been one black character with like five lines of dialogue. 

(via constellation-funk)

Posted 3 months ago

“In poetry, living as a public persona in your writing is maybe even more crippling. Once you’ve contracted to write only the truth about yourself—as in some respected kinds of modern verse, or as in Shakespeare’s sonnets—then you can too easily limit yourself to what you imagine are the truths of the ego that claims your conscious biography. Your own equivalent of what Shakespeare got into his plays is simply foregone. But being experimental isn’t enough. The plunge has to be for real. The new thing has to be not you or has to seem so till it turns out to be the new you or the other you.”

aleskot:

— Ted Hughes